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2011 오픈스페이스 배 국제 레지던스 프로그램 "보이지 않는 섬" 입주작가 전시 전시일정: 2011. 8.20 (토)~9. 18 (일) 오픈행사 및 작가와의 대화: 2011. 8.21 (일) 16:00 관람시간:11:00-18:00 매주 월요일은 쉽니다. 참여작가 인진미, 전희경, 하원식, 한석경 (한국), 마르쿠즈 베른리 사이토 (스위스), 제프 웡 (마카오), 그룹 JAK (정장영(한국), 케스투티스 스비르넬리스(리투아니아), 안드레아스 가이셀하르트(독일)) 주최:오픈스페이스 배 후원: 부산문화재단, 한국문화예술위원회, 도서출판 비온후, 배나무, (주) 파낙스이텍. 마카오 옥스 웨어하우스, 대만 VT 싸롱, 대만 국립관두미술관. 중국 Eshu 아트 하우스. 2011 OpenSpace Bae International Artist-in-Residence Program "Open to You" "Invisible Island" Residence Exhibition Dates: Aug. 20 (Sat.)~Sep. 18 (Sun.), 2011 Opening Event and Artist talk: August 21 (Sun.) 16:00~ Open hours: 11:00-18:00 Closed on every Monday. Artists In Jinmi, Ha Won-Sik, Han Seok-Kyung, Jeikei Jeon HeeKyung (Korea), Markuz Wernli Saito (Switzerland), Jeff Wong, JAK (Jung Jangyoung (Korea), Kestutis Sverinelis (Lituania), Andreas Geisselhard (Germany)) Organizer: OpenSpace Bae Supporters: Busan Cultural Foundation, Korean Art Council, Book concern Beonwho, Alternative Space Bandee, Panax E-Tec Co. Ox Warehouse (Macao), VT salon (Taipei), Taiwan National Kuando Museum of Fine Art. Eshu Art House (China) JAK Mirage/mixed media/installation in 2x2x2m/2011 신기루/혼합재료/2x2x2m 가변설치/2011
GROWING DASHIMA At
the heart of this artistic research is the direct engagement with the
local situation: Local people harvesting Dashima at the fertile, coastal
waters of Gijang-gun (Busan). In order to get to know the people and
craft behind this food condiment - the region is known for - the artist
worked as an apprentice for one week at the Dashima manufactory in
Idong-ri harbor. While sharing the daily joys (eating dinner together)
and troubles (slipping on wet Dashima) in this collective work setting,
the fellow artists SeokKyoun Han, HeeKyoung Jeon and DaeHong Kim helped
Markuz to collect insights and stories from the people who make Dashima
culture possible. This insider's knowledge allowed Markuz to establish a
"Dashima Laboratory" which was also open to local children to craft and
have fun with Dashima. The
installation at OpenSpace Bae takes the stories collected from the
workers at Itong-ri harbor and displays them in the form of Dashima
sculptures. Because Dashima grows fast and abundantly (up to 10 cm per
day) and can be farmed with minimal resource input the artist explored
ways to utilize this sea vegetable as material for making objects.
Dashima is both sensual and repellent but the beauty (rewarding
challenge) of sculpting with Dashima is that it has "a mind of its own":
It dries in ways that can not be fully controlled, making the result
unpredictable and a co-creation between the artist and organic matter.
Through a happy accident Markuz discovered that wet Dashima is a
light-sensitive medium (called "Dashigraph"): Overlain with objects on
top of it and exposed to sunlight Dashima is able to trace objects
overlain on top like a monotone, photographic print. GROWING
DASHIMA was made possible through the generous support of the Dashima
manufacturers of Itong-ri in Gijang-gun, fellow residency artists of
Open To You 2011, the director team of OpenSpace Bae and, last but not
least, the participant children of Busan Art Camp 2011. 하원식 Ha Won-Sik 잘 살아보세/ 가변설치/ 스치로폴,아크릴물감/2011 Let's live well/ variable size/ installation/ acrylic on Styrofoam/2011 인진미 In-Jinmi '부귀영화' 인트로/hd 단채널 비디오/6분 5초/2011 'Open to you' intro/hd single channel video/6' 5"/2011 한석경 Han Seok-Kyung 전희경 Jeikei Jeon Heekyung |